Antony Gormley is one of Britain's best-known sculptors, awarded the Turner Prize in 1994 and widely recognised for bringing large-scale figurative work into public spaces. His permanent sculptures across the UK span nearly four decades of practice, from early works in cathedrals to landmark commissions visible from motorways and tidal beaches.
Showing 19 public sculptures
Photo: 14GTR / CC0 1.0
2022 · Imperial College London, London
A large angular slab of weathering steel leans at a precise angle on the Imperial College London campus, its surface slowly oxidising to deep rust. A meditation on material endurance and scientific inquiry.
Photo: Y.ssk / CC BY-SA 4.0
2017 · West Hoe Pier, Plymouth
At over three metres tall, this oversized cast iron figure stands at West Hoe Pier gazing out over Plymouth Sound, marking the city's long relationship with the sea. Commissioned by The Box and Plymouth City Council, it is among Gormley's largest public sculptures in England.
Photo: Matt Brown / CC BY 2.0
2014 · Beaumont Hotel, London
A monumental stainless steel room-form occupies the forecourt of the Beaumont Hotel in Mayfair, its interior clad in fumed oak and accessible as a bookable hotel suite. The work merges sculpture, architecture and hospitality in an unprecedented live-in artwork.
Photo: The wub / CC BY-SA 4.0
2012 · Limehouse Reach, London
A cast iron body-form stands at the tidal margin of Limehouse Reach, one of Gormley's series of figures placed at the meeting point of land and water. The work engages the industrial heritage of London's docklands and the rhythmic pull of the Thames.
Photo: GrindtXX / CC BY-SA 3.0
2011 · British Library, London
A solitary cast iron figure stands on the forecourt of the British Library, one of Gormley's body-cast forms sited at a major repository of recorded human thought. The work invites contemplation of the individual in relation to the vast archive of knowledge behind it.
Photo: Chris Holifield / CC BY-SA 2.0
2010 · Water of Leith, Edinburgh
Six life-sized cast iron figures are installed at intervals along the Water of Leith in Edinburgh, some standing in the river itself. The work explores the human body's relationship with an urban waterway.
Photo: No Swan So Fine / CC BY-SA 4.0
2010 · Canterbury Cathedral, Canterbury
A human figure assembled from 10,000 reclaimed iron nails is suspended three metres above the site of Thomas Becket's first burial in Canterbury Cathedral's Eastern Crypt.
Photo: The wub / CC BY-SA 4.0
2008 · Exeter College, Oxford, Oxford
A cast iron figure stands in the grounds of Exeter College Oxford, one of Gormley's lone sentinel series placed in institutional settings to question the relationship between body, space and belonging.
Photo: Jim Barton / CC BY-SA 2.0
2008 · Jupiter Artland, Edinburgh
A large geometric structure of welded steel tubes and spheres forms an open lattice that encloses the volume of a standing body at Jupiter Artland. The work transforms the figure into an interconnected web of planes and angles, dissolving its mass into the surrounding landscape.
Photo: mira66 / CC BY 2.0
2002 · British Library, London
Eight Ice Age glacial boulders bearing the pressed outlines of human bodies are arranged in the British Library forecourt. The work places geological deep time in dialogue with human presence.
Photo: The wub / CC BY-SA 4.0
2002 · McDonald Institute for Archaeological Research, Cambridge
An upright cast iron figure installed at the McDonald Institute for Archaeological Research in Cambridge, sited at an institution dedicated to studying human material culture. The work's title and placement invite reflection on the relationship between the body, growth, and the deep history of human occupation.
Photo: ClemRutter / CC BY-SA 4.0
2001 · Regent's Place, London
Two cast iron body-forms face each other across the public realm of Regent's Place on Euston Road, commissioned by British Land for the mixed-use development. The paired figures introduce a moment of human encounter and doubling into one of London's busiest urban corridors.
Photo: The wub / CC BY-SA 4.0
2000 · Greenwich Peninsula, London
A soaring cloud of galvanised steel tetrahedral units coalesces around the ghost of a standing figure above the Thames at Greenwich Peninsula, the body dissolving into a constellation of metal. Installed as a millennial work, it became one of the most distinctive landmarks on the river.
Photo: Mike Peel / CC BY-SA 4.0
1998 · A1, Low Eighton, Gateshead
A towering steel figure with a 54-metre wingspan crowns a hilltop above the A1 in Gateshead, seen by an estimated 90,000 drivers daily. One of the most viewed works of public art in the UK.
Photo: Andrew Dunn / CC BY-SA 2.0
1997 · Crosby Beach, Liverpool
One hundred cast iron body casts stand on Crosby Beach facing out to sea, submerging with the tides. Stretching nearly a mile along the shore, the figures evoke migration, solitude and the passage of time.
Photo: John Sutton / CC BY-SA 2.0
1995 · Jesus College, Cambridge, Cambridge
A featureless cast iron figure stands within the grounds of Jesus College Cambridge, part of Gormley's series exploring sensory deprivation and the tension between interior consciousness and exterior space.
Photo: Tagishsimon / CC BY-SA 3.0
1993 · Victoria Square, Birmingham
A monumental iron figure stands at the heart of Victoria Square in Birmingham, its height of over six metres making it one of Gormley's largest single body-forms. Cast from the artist's own body, it occupies the civic centre of one of England's great industrial cities.
Photo: David Kernan / CC BY 4.0
1986 · Winchester Cathedral, Winchester
A lead and fibreglass figure stands in the crypt of Winchester Cathedral with water pooled in its cupped hands, one of Gormley's earliest permanent public commissions. The work invokes immersion and contemplation in the subterranean heart of one of England's oldest cathedrals.
![Untitled [Listening]](https://amgrqjgwpmppfivxaiay.supabase.co/storage/v1/object/public/public-artworks/antony-gormley-untitled-listening-1985.jpg)
Photo: Amanda Slater / CC BY-SA 2.0
1985 · Maygrove Peace Park, London
A large granite and bronze figure is seated in Maygrove Peace Park in Camden, commissioned as a memorial work for a community green space. The work's title and composed form suggest inward attention, a counterpoint to the surrounding residential neighbourhood.
British · b. 1950
Sculpture
