"JMW Turner is beaten by John Constable in this mighty show. But who cares when the work is so sublime you can hear the squelching and smell the river?"

— The Guardian

"More than four decades on, Goldin’s louche lovers, waxwork royals, divorcing Mexicans and frightening wallpaper feel uncannily present – normal even."

— The Guardian

"‘Fun’ is a quality which seems to be all too frequently forgotten by curatorial teams. But it certainly takes pride of place at the Saatchi Gallery’s The Long Now, an expansive, nine- room retrospective which aims to both celebrate its past and reiterate its commitment to championing innovation in the present and future."

— TimeOut

"A first-of-its-kind Courtauld exhibition brings together the French artist’s haunting seaside paintings."

— The Telegraph

"The Texan is the third film-maker to be given a retrospective at the Design Museum, following Stanley Kubrick and Tim Burton, and this is the pick of the three. Cinema like this can feel incredibly extravagant — some canine puppets for Isle of Dogs took three years to make and were on screen for a matter of seconds. Here, though, you can spend time with it all."

— The Times

"Though they were created for comic books, the artist’s horny and hilarious drawings of his own neuroses, and of glamazons in thigh-high boots, are unnervingly powerful on gallery walls"

— The Guardian

"Facing West is a good subtitle. Although there are cowboys and farmhands aplenty, these photographs do not romanticise the West: there are no tumbleweeds, saddles or tobacco. Avedon’s subjects are confrontational, tired and often smeared with the grime of dangerous hard labour. This was not Avedon’s first rodeo when it came to probing the fissures at the heart of American culture; he was also photographing radicals and protesters in the same style."

— The Standard

"There’s no escape from the torments of the past in this show, which celebrates the German artist at his most Wagnerian, enchanting and sickening you simultaneously"

— The Guardian

"When she's on song her works have a larky life of their own. The duds, however, outnumber the triumphs. Often, there's a sense that a Christmas cracker has been pulled. The painting goes off with a bang… then nothing falls out."

— The Times

"If this is Latin American Pop, it's Pop with pathos – and, although this isn't an easy exhibition, it is powerful and affecting. Her paintings are full of flair and subtle, sophisticated aesthetic decisions. These provide succour for the visitor when – as it may do – González's searing content proves too much."

— The Telegraph