The Best London Shows This Weekend

"It is magnificent. Shivers-down-the-spine, tell-the-grandchildren sort of stuff."

The Times

"In parts of the show, Moore's love of natural forms seems to run counter to the Victorian splendour of Kew. One of his bone-like pieces, Three Piece Sculpture: Vertebrae (1968-69), sits in front of the Palm House. Moore's irregular, undulating tripartite form seems to echo – or mock – the pane-glass and wrought-iron symmetry of the older building."

The Telegraph

"These were revolutionary photographs at the time – and they still feel new in their search to express the inexpressible. The dimly lit, subterranean gallery keeps you cocooned in this elegiac, brooding atmosphere. Kawada is drawn to images that trace the extremities of the Earth, the visible outer edges of our existence – the sky, the horizon, water, burning suns and scorching fires."

The Guardian

"Then, in 1865, Whistler suddenly paints the sea as if it was a piece of silk decorated with white lace and a ribbon. Green and Grey, Channel is a stunning declaration of artistic independence. He takes the sea, the element humans can't control, the roaring theme of Turner's visions, and makes it a painterly plaything."

The Guardian

"With its evocation of woman as nature, the work reinforces the woman-nature/man-culture dichotomy"

The Arts Desk

"Ultimately, there's a slightly overwhelming quality to this exhibition: the walls are covered in potted biographies, in who's who of US photography, many of them represented by just one or two images. It's telling so many stories at once. But that means that everyone who visits will find something to delight in, as they pull out faces from a crowd of varied, jostling, unsettling perspectives on American life."

TimeOut

"Famously he was a painter of fairies, yet he was far from being away with the fairies"

The Arts Desk

"In an era when art often seems content with small, dry efforts, Kapoor soaks the Hayward in the blood and guts of his unfettered imagination."

The Guardian

"Less enthusiastic visitors might not care so much about the significance of using Chinon silk versus Mercury satin. However, Paint! Pattern! Print! is undoubtedly a feast for the eyes, with explosions of colour at every turn. Appreciators of technicolour painting, fashion and good design will find plenty to enjoy here."

TimeOut

"Others (like me) may be put off by his somewhat patrician perspective: a landowner surveying a plot in which everyone is busy at work, driving cows or ploughing fields. This small show at Hampstead's Burgh House offers something like an olive branch to Constable haters."

The Guardian

"As an exhibition, it's a leaf through a scrapbook rather than a comprehensive survey. Summers run together, the days seem long and hazy, the irises are always in bloom. I left this evocative and convivial show craving ratatouille, resolving to plant irises and level the earth at the back of the garden for a greenhouse of my own."

The Times

"Across the four works, Chihying's humour keeps some pretty knotty ideas about labour, consumerism and technology from getting bogged down in theory. However, it is a small show. Some would say too small."

TimeOut