Major Artists On Now in London

"In an era when art often seems content with small, dry efforts, Kapoor soaks the Hayward in the blood and guts of his unfettered imagination."

The Guardian

"He could paint like Jan van Eyck when he wanted but sometimes preferred to paint like a clumsy moron. Magritte was too intelligent to respect anything, least of all art."

The Guardian

"Tate's blockbuster show about this rightly beloved artist asks how and why she became an "icon". But I've never seen an exhibition about how Picasso got famous or the cultural invention of Rembrandt. We know they are great artists and how they were historically recognised is for scholars."

The Guardian

"With its evocation of woman as nature, the work reinforces the woman-nature/man-culture dichotomy"

The Arts Desk

"But in Pierre-Auguste’s paintings, there’s no punishment. Nobody gets syphilis or drinks themselves to death, or drowns in the Seine. This is the happiest art exhibition of the year."

The Guardian

"In parts of the show, Moore's love of natural forms seems to run counter to the Victorian splendour of Kew. One of his bone-like pieces, Three Piece Sculpture: Vertebrae (1968-69), sits in front of the Palm House. Moore's irregular, undulating tripartite form seems to echo – or mock – the pane-glass and wrought-iron symmetry of the older building."

The Telegraph

"That's the trouble with art. It may set out to change the world, as Le Parc and his pals in GRAV did, but ends up as entertainment. This is a very enjoyable exhibition but its revolutionary impulse gets lost in the light."

The Guardian