Installation

"Across the four works, Chihying's humour keeps some pretty knotty ideas about labour, consumerism and technology from getting bogged down in theory. However, it is a small show. Some would say too small."

"In an era when art often seems content with small, dry efforts, Kapoor soaks the Hayward in the blood and guts of his unfettered imagination."

"It's outer space, distant stars, planet Earth, the birds and bees and trees all right here, in this exact moment. It's a portrait of you in the universe, a picture of its vastness and your own little place in it."

"Enclosure is messy, utopian and dystopian all at once, and there are moments when you're not sure whether you should be trying to untangle its logic or simply surrendering to the chaos. In the end, I surrendered – and getting lost in it turned out to be half the fun."

"These many hands and hours make Entangled and Woven an exquisitely beautiful exhibition. Every slip of fabric is layered with delicate detail and texture. Fabrics are airy and ethereal one moment, and weighty and dipped in deep indigo the next."

"Like much of Kanwar’s work, Such a Morning makes demands on your patience. Anyone attempting to make simple sense of the film is likely to sympathise with the professor groping blindly around in the dark. But it is worth putting in the time, because Kanwar’s commitment to doubt as a precursor of knowledge carries a political charge in the present."

"It’s either a cry for help or a scream into the void. Whichever it is, Mike Nelson’s latest exhibition is the English artist at his most frustrated, scared, introspective and personal. This is a show filled with rot and dilapidation, insanity and dereliction."

"That's the trouble with art. It may set out to change the world, as Le Parc and his pals in GRAV did, but ends up as entertainment. This is a very enjoyable exhibition but its revolutionary impulse gets lost in the light."