Video & Moving Image

"Across the four works, Chihying's humour keeps some pretty knotty ideas about labour, consumerism and technology from getting bogged down in theory. However, it is a small show. Some would say too small."

"It's outer space, distant stars, planet Earth, the birds and bees and trees all right here, in this exact moment. It's a portrait of you in the universe, a picture of its vastness and your own little place in it."

"Enclosure is messy, utopian and dystopian all at once, and there are moments when you're not sure whether you should be trying to untangle its logic or simply surrendering to the chaos. In the end, I surrendered – and getting lost in it turned out to be half the fun."

"With its evocation of woman as nature, the work reinforces the woman-nature/man-culture dichotomy"

"Like much of Kanwar’s work, Such a Morning makes demands on your patience. Anyone attempting to make simple sense of the film is likely to sympathise with the professor groping blindly around in the dark. But it is worth putting in the time, because Kanwar’s commitment to doubt as a precursor of knowledge carries a political charge in the present."

"After centuries of colonialism and exploitation, there's just so much anger and pain here. This show isn't just about the earth and memory, this is art as a form of aesthetic resistance. It's hard not to see these ideas of stolen land and colonialism through the lens of Trump's regime with its ICE raids and travel bans."

"That's the trouble with art. It may set out to change the world, as Le Parc and his pals in GRAV did, but ends up as entertainment. This is a very enjoyable exhibition but its revolutionary impulse gets lost in the light."