Video & Moving Image

"Banerjee's surreal juxtapositions do not banalise high culture, in the sense of bringing it down to the level of daytime television. Instead, they serve to re-enchant everyday life, bringing the Indian gods into a quintessentially British world of anthropomorphic vacuum cleaners and ghastly carpets."

"But the exhibition does not sing. It spits out theory instead. Every section is framed as an essay, with artworks chosen to illustrate an argument: one bay is based around the ideas of sociologist Stuart Hall, which the works don't seem to illustrate anyway. This is a show that wants to conjure up a utopian place, Panafrica, and make it real, which would be a powerful piece of political enchantment."

"It's outer space, distant stars, planet Earth, the birds and bees and trees all right here, in this exact moment. It's a portrait of you in the universe, a picture of its vastness and your own little place in it."

"In a manifesto-like move, all three of this summer's big exhibitions at Tate Modern celebrate an individual female artist; the others are Tracey Emin and Frida Kahlo. This is by far the best."

"After centuries of colonialism and exploitation, there's just so much anger and pain here. This show isn't just about the earth and memory, this is art as a form of aesthetic resistance. It's hard not to see these ideas of stolen land and colonialism through the lens of Trump's regime with its ICE raids and travel bans."

"That's the trouble with art. It may set out to change the world, as Le Parc and his pals in GRAV did, but ends up as entertainment. This is a very enjoyable exhibition but its revolutionary impulse gets lost in the light."