Gagosian Grosvenor Hill

Name: Gagosian Grosvenor Hill
Address: Mayfair, London

Mayfair, London 🇬🇧

One of three Gagosian spaces in London, the Grosvenor Hill gallery occupies a grand space in Mayfair and presents high-profile exhibitions from the gallery's globally renowned roster. Gagosian represents artists including Damien Hirst, Cindy Sherman, and the estates of major postwar figures, across a network of over 20 locations worldwide. The three London spaces often run ambitious programming simultaneously.

Explore 1 exhibition on now and 0 coming soon at Gagosian Grosvenor Hill.

Gagosian Grosvenor Hill

This Is Still Not a Pipe: The Afterlife of Magritte

Until Dec 12

PaintingSculptureSurrealismRené Magritte

Magritte's icons meet contemporary art he inspired, from apples to bowler hats

4/5 from 1 rating

"He could paint like Jan van Eyck when he wanted but sometimes preferred to paint like a clumsy moron. Magritte was too intelligent to respect anything, least of all art."

The Guardian

Visit

Gagosian Grosvenor Hill

Mayfair, London·View on artmap

SundayClosed

MondayClosed

Tuesday10am–6pm

Wednesday10am–6pm

Thursday10am–6pm

Friday10am–6pm

Saturday10am–6pm

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David Zwirner London Royal Academy Hauser & Wirth London Annely Juda Fine Art

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EXPLORE DESTINATIONS

🇬🇧London 🇬🇧United Kingdom

Past Exhibitions

Ended

Gagosian Grosvenor Hill

Christo: Air

Ended Aug 21

Drawing & Works on PaperInstallationSculptureConceptualism

First presentation of Christo's 1968 unrealized air installation

4/5 from 1 rating

"Christo's work is a funny mixture of profound and ridiculous. The car is just a Volvo in a sheet. The main installation looks like Gagosian got some dodgy builders in and they couldn't be arsed to tidy up."

The Guardian

Ended

Gagosian Grosvenor Hill

Richard Avedon: Facing West

Ended Mar 14

PhotographyContemporary ArtRichard Avedon

21 rare prints from Avedon's In the American West, curated by his granddaughter

4/5 from 1 rating

"Facing West is a good subtitle. Although there are cowboys and farmhands aplenty, these photographs do not romanticise the West: there are no tumbleweeds, saddles or tobacco. Avedon’s subjects are confrontational, tired and often smeared with the grime of dangerous hard labour. This was not Avedon’s first rodeo when it came to probing the fissures at the heart of American culture; he was also photographing radicals and protesters in the same style."

The Standard