Tate Britain

"Then, in 1865, Whistler suddenly paints the sea as if it was a piece of silk decorated with white lace and a ribbon. Green and Grey, Channel is a stunning declaration of artistic independence. He takes the sea, the element humans can't control, the roaring theme of Turner's visions, and makes it a painterly plaything."

The Guardian

"In Anderson's work, the natural world is almost ominously abundant. Greenery seems to suffocate man-made structures, which often appear dilapidated – like ruined temples in a jungle. The sense of melancholy this generates is offset by the pleasure that Anderson evidently derives from manipulating paint. His compositions – some of which flirt, ingeniously, with abstraction – are awash with attractive blotches and drips."

The Telegraph

"JMW Turner is beaten by John Constable in this mighty show. But who cares when the work is so sublime you can hear the squelching and smell the river?"

The Guardian

"Dividing Miller’s extraordinary career chronologically, it’s a time-travelling experience as well as a showcase of her technical and compositional skills"

TimeOut